LanguageFlag

Jean marie straub interview. You couldn’t make a better democratic declaration.

  • Jean marie straub interview. « Ein bildhaft abstrakter Traum, keine Geschichte. Nov 24, 2020 · Danièle Huillet, Jean-Marie Straub - January 2020. At the time, I never would have believed in going back there, I returned because of a challenge. ”. Danièle Huillet and Jean Marie-Straub’s film Class Relations (1984) is based on the novel “Amerika” by Franz Kafka. Class Relations is a film in black and white, shot in the Federal Republic of Germany and the United States, with the participation of 31 actresses and actors, among them: Christian Heinish, Mario Adorf, Alfred Edel “November 1954, arrival in Paris with the project for a film-biography”, Jean-Marie Straub wrote in the CURRICULUM of 1966. This text was transcribed and translated from Claude-Jean Philippe’s interview with Jean-Marie Straub and Danièle Huillet entitled, “Le cinéma n’existe pas en soi, il n’est pas un langage. Not the Rolling Stones, but the more marginal punk bands, Wire, The Clash or Sex Pistols. They came to our apartment, sat on the floor, watched 16mm prints of John Ford’s Pilgrimage (1933) and Donovan’s Reef (1963), and loved them. 48-49 Straub, who was born in Metz, [2] met Paris-born Huillet as a student in 1954. Nov 21, 2022 · Jean-Marie Straub was a French filmmaker who made many shorts and features between 1963 and 2006. I think of it as an instrument, a tool. Aug 5, 2010 · A brief interview from Pedro Costa's short documentary '6 Bagatelas' (which are outtakes from his longer film 'Où gît votre sourire enfui?' on the two filmma In Straub/Huillet’s Spinozist cinematic output, there is no omnipotent god, and there is no transcendental wind; they refuse to fixate on the wind as a central subject, and do not seek to frame the wind at the expense of other living matter and natural forces in the frame. Machorka-Muff (1963), the first film by Jean-Marie Straub and Danièle Huillet, is an adaptation of "Bonn Diary," a short story by Heinrich Böll—a writer to whom the filmmakers would Nov 22, 2022 · Jean-Marie Straub, 8 January 1933 to 20 November 2022; All-you-can-watch access to 100s of films. . ↩; Hecht, Brechts Antigone des Sophokles, op. It’s indispensable, but not sufficient, a “necessary but not sufficient condition. Some would even say evasive. It is their first film shot entirely in black and white since Bridegroom (excluding En rachâchant (1982), which in a certain sense is a preparatory film) and it marks their return to Germany (Hamburg and Bremen), abandoned since 1968, as well as the Allemagne Fédérale, 18 min. Jean-Marie Straub came of age as a slightly younger contemporary of the French New Wave. Oct 14, 2019 · In the years following Danièle Huillet’s death, Jean-Marie Straub was something of a fixture in the Parisian repertory cinema scene. Danièle Huillet could still say in 1999 that Eyes Do Not Want to Close At All Times or Perhaps One Day Rome Will Allow Herself to Choose in Her Turn (1969) “is my favourite film because it's the most barbaric and it speaks my native language. Jan 5, 2020 · “Ardent Hope” – Interview with Jean-Luc Godard – Cahiers du cinéma; Mehdi Belhaj Kacem, Philippe Sollers | What is the Meaning of the Avant-garde’s Death? Harun Farocki | Peter Weiss On Display (The Aesthetics of Resistance) George L. From the Clouds to May 17, 2016 · Jean-Marie Straub and Danièle Huillet, Geschichtsunterricht (History Lessons), 1972 The film, made in Rome by French co-directors with a German cast and a largely Italian crew, exemplifies the trans-European internationalism of Straub-Huillet – as Straub himself proclaimed, ‘We are the only European filmmakers, filmmakers of European ジャン＝マリー・ストローブ（Jean-Marie Straub、1933年 1月8日 メス - 2022年 11月20日 ロール）と、ダニエル・ユイレ（Danièle Huillet、1936年 5月1日 パリ - 2006年 10月9日 ショレ）の二人が完全な共同作業で映画を制作し、通常は連名標記される。 I always thought that their films but even those directors as characters were very close to some rock stars that I used to like. Class Relations is a film in black and white, shot in the Federal Republic of Germany and the United States, with the participation of 31 actresses and actors, among them: Christian Heinish, Mario Adorf, Alfred Edel Jean-Marie Straub and Danièle Huillet: Films and Their Sites by Sean Nam MUBI Notebook, May 11, 2016 VIEW 'We make our films so that audiences can walk out of them' by Nick Pinkerton Frieze, May 17, 2016 VIEW Assassinate the Bird: On Jean-Marie Straub and Danièle Huillet by Max Nelson n+1, May 24, 2016 VIEW Jean-Marie Straub's "Status of the Jean-Marie Straub came of age as a slightly younger contemporary of the French New Wave. The austere films of French husband-and-wife team Jean-Marie Straub and Danièle Huillet are difficult. “Cinema must set fire to life. Jean-Marie blushed red and said what Feb 16, 2004 · RANCIERE: Jean-Marie Straub can say that he belongs to the New Wave, but he doesn’t belong to it since he did not belong to this historic configuration, eventually based on a misunderstanding. The interview below offers little solace on this score. Gansera, in Filmkritik (Munich), September 1978. 99/month or £65/year. Mar 9, 2020 · See the difference between Othon (Jean-Marie Straub, Danièle Huillet, 1970), in which Corneille’s text is recited in a monochord manner by people belonging to the art world, in order to make of that work a lesson on power that will always remain up to date (hence the importance of the sounds of city traffic that can be heard on the Sep 14, 2016 · A touchstone for the highly politicised debates in film criticism during the 1960s and 1970s, the work of Jean-Marie Straub and Danièle Huillet appeared, by the early 2000s, to have suffered a terminal decline in the level of interest it provoked. They were in New York to present Moses und Aron (Moses and Aaron, 1974) at the New York Film Festival. They all, Jean-Marie, could easily be in there. It is based on Franz Kafka 's unfinished first novel, Amerika . Straub was involved in the Parisian cinephile community at the time. I don’t fetishize the cinema at all. Jul 19, 2015 · Jean-Marie Straub and Danièle Huillet’s first major film introduced their grippingly sparse, elliptical style to international audiences. Two Interviews with Jean-Marie Straub and Danièle Huillet. The New Wave was a generational movement, a movement of young people, a societal phenomena and a school, a cinematographic movement, and a kind of Nov 24, 2020 · Shot over thirteen weeks from 2 July to 20 September 1983, Class Relations is an important film in Huillet and Straub's work for several reasons. ” Straub and Huillet took pains to render the German mannerisms and dialect of Kafka’s novel faithfully, and shot their film almost entirely in the port city of Hamburg. This article considers Jean-Marie Straub and Danièle Huillet’s essay film about Paul Cézanne: A Visit to the Louvre (Une visite au Louvre, 2003). 1, 1970, p. Foreword. Straub-Huillet, who made more than 25 films Klassenverhältnisse, known in English as Class Relations, in French as Amerika, rapports de classe, is a 1984 film by the French filmmaking duo of Jean-Marie Straub and Danièle Huillet. I would answer, as in Empedocles: “Jeder sei wie alle,” (Each be as all). The following article was written at the request of Angela dalle Vacche, who asked me to speak on Jean-Marie Straub and Danièle Huillet’s two films on Paul Cézanne, Cézanne (1989) and Une Visite au Louvre (2004), for the international symposium (“Image and Movement: Film Studies and the History of Art”) that she organized for the Clark Art Institute in Sep 20, 2017 · Dir: Jean-Marie Straub & Danièle Huillet Pro: Klaus Hellwig Scr: Jean-Marie Straub, adaptation of Pierre Corneille’s Othon Phot: Renato Berta & Ugo Piccone Ed: Jean-Marie Straub & Danièle Huillet Hair Stylist: Guerrino Todero Danièle Huillet and Jean Marie-Straub’s film Class Relations (1984) is based on the novel “Amerika” by Franz Kafka. Oct 14, 2019 · On the articulation between their adaptations of Hölderlin and the film Antigone, see “Le Chemin passait par Hölderlin”, interview with Jean-Marie Straub and Danièle Huillet by Burghard Damerau, in Wolfgang Storch, Brecht après la chute (Paris: L’Arche, 1993), pp. , pp. Subtitles by Sally Shafto. ” 3 Gallagher’s piece programmatically wrestles Straub-Huillet’s works from the discourse of —Jean-Marie Straub, from “Interview with Straub” by Andi Engel, Cinemantics no. The New Wave was a generational movement, a movement of young people, a societal phenomena and a school, a cinematographic movement, and a kind of Oct 20, 2005 · I first met Danièle Huillet and Jean-Marie Straub in 1975. Jean-Marie Straub (8 January 1933, Metz – 20 November 2022) and Danièle Huillet (1 May 1936, Paris – 9 October 2006, Cholet) were a duo of filmmakers who made two dozen films between 1963 and 2006. 94-106. But their depiction of injustice and exploitation transcends historical specificity; as Straub said in 1984, “Kafka, for us, is the only major poet of industrial civilization Jean-Marie Straub: These are the last five dialogues; Dialoghi con Leucò consists of 27 of them. As Straub insisted in an interview with the political activist Joel Rogers in 1976: In Paris nowadays nobody talks about anything but the deconstruction of cinematic language. Translator’s note. Using correspondences and texts written by Johann Sebastian Bach, and read by his wife, Anna Magdalena, filmmakers Jean-Marie Straub and Danièle Huillet have crafted one of the most precise, rewarding biopics ever put to screen. Like those directors, he began his career writing film criticism. Entretiens [interview] 1998 • Jean-Marie Straub, Apr 11, 2020 · jean-marie straub, georges bernanos, la france contre les robots STRAUB, Jean-Marie, and Danièle HUILLET Source for information on Straub, Jean-Marie, Interview with R. ; 35 mm, noir et blanc, format 1/1,37. If Jean-Marie Straub’s parole dominates here as so often in their public exchanges, what Danièle Huillet says is nonetheless pertinent. The work of Straub and Huillet is characterised by a rigorous and uncompromising form, which often involved long takes, minimalistic Nov 24, 2022 · Jean-Marie Straub was born on Jan. Remarkably, this film features no artworks by Cézanne, nor any photographs of the painter—instead, it combines three elements: a female voiceover reads Cézanne’s reflections on fifteen famous artworks in the Louvre; as we listen, Straub and This filmography was originally published in French and assembled by Benoît Turquety for his book Jean-Marie Straub et Danièle Huillet: « objectivistes » en cinéma (2009). Apr 24, 2019 · Jean-Marie Straub and Danièle Huillet's Machorka-Muff (1963) is showing April 24 – May 23, 2019 on MUBI as part of the series A Straub-Huillet Retrospective. Their partnership resulted in a beautiful and demanding oeuvre, which deeply affected the history of cinema. It was approved by Danièle Huillet and incorporates information used in a 1977 filmography she edited. Jan 1, 1995 · Fervently admired and frequently reviled, Jean-Marie Straub and Danile Huillet--who have lived and worked together for almost forty years--may well be the most uncompromising, not to say intransigent, filmmakers in the history of the medium. cit. Aug 20, 2019 · A new translated interview between the filmmakers and Hans Hurch about their adaptation of Kafka's novel "Amerika. Get free trial. Though both were French, they worked mostly in Germany and Italy. And the dividing lines end up in one way or another being lines which correspond to the lines of “Jean-Marie Straub and Danièle Huillet in Their Own Words” (1984, video, 8 minutes) Jean-Marie Straub and Danièle Huillet interviewed by François Albera, following the screening of Class Relations (1984) at the Locarno Film Festival, August 1984. As retrospective programmes of the couple’s work played across the city, he was often at the screenings – whether his presence was announced or not – introducing the film, taking questions afterwards, and even, occasionally, making remarks during the Jun 22, 2017 · Jean-Marie Straub and Danièle Huillet’s film Moses and Aaron opens with a dedication to Holger Meins, a German cinematography student who joined the Red Army Faction (RAF) in the early 1970s and died in prison in 1974 on hunger strike. As part of his response to my question about the film’s audience, for example, Jean-Marie Straub remarks, “It is the dividing lines that make one’s public. Jean-Luc Godard is challenging, but his films often yield a high degree of pleasure – in their humour, their use of colour and their attraction to beauty. production : Centre Pompidou, ARTE France Cinéma, Belva Films Il volto della Nouvelle Vague (1996), Le parole sono importanti (1996), Jean-Marie Straub. He was friends with Francois Truffaut and contributed to his publication Cahiers du Cinéma, although Truffaut refused to publish Straub's more inflammatory writings. Adapted from Heinrich Böll’s 1958 novel Billiards at Half-Past Nine , Not Reconciled brought an intense sense of the present to the narrative of three architects reckoning with their family’s "Some filmmakers’ work is demanding. And it is she who culls and offers up Straub’s memorable phrase: “Cinema must set fire to life. ” The second interview is no less important. What I will do is look at some of their more markedly durational films, with an emphasis on three twenty-first-century works that have not been much discussed by previous scholars: Workers, Peasants (2000), Itinerary of Jean Bricard (2007), and The Aquarium and The Nation (2015). " Nov 23, 2022 · Richard Brody eulogizes Jean-Marie Straub, an undersung contemporary of Jean-Luc Godard, François Truffaut, and other French New Wave filmmakers. Jean-Marie Straub » [« Un rêve métaphoriquement abstrait, pas une histoire. He always worked with his wife, Danièle Huillet (1936-2006), and they trod their own path through cinema, producing works that were often politically rigorous, introspectively radical, philosophically mystical and totally personal to themselves. 1 on Tripadvisor among 9 attractions in Blienschwiller. Pedro Costa, Jean-Marie Straub and Danièle Huillet Danièle Huillet and Jean-Marie Straub collaborated on films together from the mid-1960s through the mid-2000s, making formally radical adaptations in several languages of major works of European literature by authors including Franz Kafka, Bertolt Jan 10, 2024 · Danièle Huillet (1936-2006) and Jean-Marie Straub (1933-2022) were a French duo of filmmakers who made about twenty films together between 1963 and 2006. Benoît Turquety, Danièle Huillet, Jean-Marie Straub, objectivistes au cinéma (Paris: L’Age de l’homme, 2009). Danièle Huillet, recalling when they met, said in a radio interview that she looked at him sitting in the metro and thought to herself that with all he wanted to do, it would take at least the two of them together. ‘Writing about films’, Jean-Luc Godard later said, ‘was already a way of making films’. Straub-Huillet / 1968 / 94 minutes / Spine #17. In Dalla nube alla resistenza, we had six of them, the first three and three a bit further in. bottom: portrait of Jean-Marie Straub and Danièle Huillet by Digne Meller Marcovicz, with kind permission from Robert Beeson, New Wave Films Danièle Huillet and Jean-Marie Straub Retrospective 1962—2018 Danièle Huillet (1936–2006, France) and Jean-Marie Straub (1933, France) met in 1954, and in fifty-two years of shared life and work Nov 20, 2022 · Jean-Marie Straub discography and songs: Music profile for Jean-Marie Straub, born 8 January 1933. “They’ve never been told RANCIERE: Jean-Marie Straub can say that he belongs to the New Wave, but he doesn’t belong to it since he did not belong to this historic configuration, eventually based on a misunderstanding. You couldn’t make a better democratic declaration. Sep 10, 2012 · Straub examines the process by which events enter our cultural mainstream, and the process by which their use as part of a communications system is transformed Go to the content Go to the footer Apr 9, 2006 · Films by Jean-Marie Straub & Danièle Huillet, Megan Fraser and Redmond Entwistle 36 Orchard Street, 3/7 – 3/19/2008 Empedocles/Hölderlin, Cézanne/Gasquet, Straub/Huillet, Dominique Païni & Blake Rayne Oct 14, 2019 · In October 2005 Tag Gallagher reported in Senses of Cinema, in a substantial defence of “volcanic emotion” in the films of Jean-Marie Straub and Danièle Huillet, that Straub had told him “all this talk about ‘distanciation’ is bullshit. Class Relations is a film in black and white, shot in the Federal Republic of Germany and the United States, with the participation of 31 actresses and actors, among them: Christian Heinish, Mario Adorf, Alfred Edel Dec 9, 2022 · Given the constraints of space, what follows cannot be anything like a complete account of duration in Straub-Huillet. Sep 6, 2009 · Bruno Tackels, Rencontres avec Jean-Marie Straub et Danièle Huillet (Strasbourg: Limelight, 1995). 19 This beloved “human interest” of theirs, this How (usually dignified by the word “eternal,” like some indelible dye) applied to the Othellos (my wife belongs to me!), the Hamlets (better sleep on it!), the Macbeths (I’m destined for Apr 26, 2012 · Jean-Marie Straub présente ses films du programme "Lumières": Einleitung zu Arnold Schönbergs «Begleitmusik zu einer Lichtspielszene», Corneille/Brecht ou Ro Danièle Huillet and Jean Marie-Straub’s film Class Relations (1984) is based on the novel “Amerika” by Franz Kafka. It’s Empedocles’ big speech that I call Hölderlin’s communist utopia. Issue 83. Christian Thorel and Jean-Paul Archie (Eds), Les Films de Jean-Marie Straub et Danièle Huillet (Toulouse: Ombres, 1984). 8, 193 3, in Metz, “I would like to have ‘Othon’ seen by workers in Paris,” he was quoted as saying in a 1975 interview. [3] bottom: portrait of Jean-Marie Straub and Danièle Huillet by Digne Meller Marcovicz, with kind permission from Robert Beeson, New Wave Films Danièle Huillet and Jean-Marie Straub Retrospective 1962—2018 Danièle Huillet (1936–2006, France) and Jean-Marie Straub (1933, France) met in 1954, and in fifty-two years of shared life and work Nov 20, 2022 · Jean-Marie Straub (8 January 1933, Metz – 20 November 2022) and Danièle Huillet (1 May 1936, Paris – 9 October 2006, Cholet) were a duo of filmmakers who made two dozen films between 1963 and 2006. – Jean-Marie Straub. Jean-Marie Straub, Danièle Huillet | Qestionnaire on May 1968 FROM. Jackson | Blood In My Eye; Jean-Marie Straub / Danièle Huillet | Hölderlin, That Is Utopia Aug 7, 2019 · Jean-Marie Straub/Danièle Huillet: I have no experience of May ’68. In a 1987 interview with Jacques Aumont and Anne-Marie Faux, J ean-Marie Straub commented: "Où en êtes-vous, Jean-Marie Straub ?" de Jean-Marie StraubSuisse - France, mai 2016, 10', coul. Lezione di cinema (1998), Viaggio alla fine del mondo (dove le storie vanno a finire) (1998), Rosso/Askatasuna (a proposito di un primo maggio di guerra) (1999), Romeo & Giulietta. – Jean-Marie Straub This text was transcribed and translated from Claude-Jean Philippe's interview with Jean-Marie St Established in Melbourne (Australia) in 1999, Senses of Cinema is one of the first online film journals of its kind and has set the standard for professional, high quality film-related content on the Internet. A free trial, then just £6. » – Écriture manuscrite] Découpage de Jean-Marie Straub et Danièle Huillet, d’après « Hauptstädtisches Journal » de Heinrich Böll. Books Sep 28, 2009 · For Erika Mueller. Filmed by Bertrand Theubet for Swiss Romande TV. Die Viennale, für die die Filme von Straub/Huillet seit langem wesentlicher Bestandteil ihres Programms sind, zeigte 2004 gemeinsam mit dem Filmmuseum eine v The filmmakers Jean-Marie Straub and Danièle Huillet, although long interested in the painter Cézanne, never cited an overriding interest in the cinema-painting dialogue. Jean-Marie Straub, Blienschwiller: See 22 reviews, articles, and 5 photos of Jean-Marie Straub, ranked No. It has been updated, revised, expanded, and translated by Ted Fendt. Their films are noted for their rigorous, intellectually stimulating style and radical, communist politics. vgk nwsv xjakcmwla cvz lilfo hkqugu kzlcjx lnccd hwxirf upa